martes, 1 de noviembre de 2011

5 Questions to Ask About Anyone in Your Life (including myself)

By Amanda Fortini
"Self-deception remains the most difficult deception," Joan Didion wrote in her 1968 essay "On Self-Respect." Few of us are lucky enough to have avoided the heartbreak that comes from trusting someone who subsequently betrays us. The original transgression, the betrayal, is painful, but even more painful is the realization that we've betrayed ourselves—that we saw the signs and could have predicted the disastrous outcome from the start.


Why are we willing to overlook qualities or behaviors that nag us as problematic? Why don't we listen to our blaring inner alarms? Maybe it's simply that we want to see the best in people. Or, if you're anything like I was during my 20s, when I dated a succession of rude, angry and passive-aggressive guys, your motivations are frequently less noble: loneliness, lust, boredom, insecurity. Often, too, others are on their best behavior in the honeymoon stage of a relationship; we allow ourselves to be seduced by fun times or grand gestures and are then shocked when a very different person emerges in times of adversity.

If we had a set of questions that would allow us to figure when someone has made an honest mistake and when they've shown you, to quote Maya Angelou, "who they are," we might save ourselves a tremendous amount of pain and grief. Not to mention energy. And drama. Instead of vigilantly trying to interpret another person's actions (Was that malicious or a misunderstanding? Did he get busy and forget to call, or was he just plain rude?), we could determine for ourselves what's really going on. We went to a handful of experts for help coming up with five questions to ask about any relationship—whether a friendship, a romance or a business partnership:

How does this person treat the busboy?
"When people are acting disrespectful, contemptuous or superior, pay attention to that," says John Gottman, PhD, author of The Seven Principles for Making Marriage Work and co-founder, with his wife Julie Gottman, PhD, of the Gottman Institute. It can be easy to justify less-than-stellar behavior when it's directed toward yourself but more difficult to ignore it when you see it aimed at others. We can learn a lot by observing how the person in question treats his family, his friends, the waiter at the restaurant who forgets to put the dressing on the side. "If they kick their dog," says Harville Hendrix, PhD, best-selling author of Getting the Love You Want, "they're probably not going to treat you very well either."

Is this person truthful?
This seems an obvious question—and yet we're frequently willing to overlook or explain away a person's tendency to fib, mislead, or omit crucial details. Does your friend say she's staying home and later post pictures from a party online? Does your spouse tell you he's investing money back into the family business when he's really spending it on the sly? "You simply can't have a relationship if you lie to one another," says Robert Sternberg, PhD, provost and senior vice president of Oklahoma State University and author of The New Psychology of Love.

Knowing whether someone is honest is important because it raises another question: Can I trust this person? "If you don't have trust, you have no reliability," Hendrix says. "You can't make predictions, and if you can't make predictions then you have anxiety and conflict."

I had precisely this experience when I first began dating my fiancé. The issue was minor—I was flaky when it came to keeping travel commitments—but the effects on our relationship were not. I'd cancel or move a flight without a thought, my fiancé would get anxious and critical, and an argument would ensue. Eventually, I realized that it all came down to one fundamental issue: He couldn't trust me to follow through with plans. Not only was I showing him who I was with this behavior (disorganized, terrible at managing time, anxious when pinned down by commitments), I was also, I realized after we discussed it, showing him who I didn't want to be.

Does this person listen to me, or does he or she "listen"?
This question is particularly relevant now. Your friend, partner or spouse should not be texting, emailing or tweeting midconversation. A few years ago, when I was living in Los Angeles, I spent a lot of time with a movie producer friend whose fingers were flying across his BlackBerry keys each time we met for a meal. "I'm listening," he'd say, eyes lowered. But I decided that his refusal to put down his phone and converse was a clear signal that he valued his cellular goings-on above our friendship, and I quit making plans with him. "In every conversation, a person needs to stop and make eye contact and focus," says Hendrix. This approach may, in the long run, save you time: "It takes two or three minutes," says Hendrix, "but if you don't listen, you're going to have a fight, and it's two or three hours."

Is this person willing to be vulnerable?
"Vulnerability means a person's feelings are available in the conversation," says Hendrix. It also means having the ability (and the willingness) to fess up to guilt, anxiety or confusion. We've all known the friend who can't admit she made a mistake or that she doesn't have all the answers. "Most people," says Hendrix, "live in what is called a 'defended relationship.' They're afraid to be vulnerable. They're afraid to say, 'I'm scared,' or, 'I feel needy,' or, 'I have horrible memories.'" But the silence of someone who's disinclined to lower his defenses can speak quite loudly, telegraphing a fear of intimacy or a desire to remain emotionally in control.

How does this person fight?
Someone who is unable to communicate or be vulnerable often lacks the ability to resolve conflicts—what Jette Simon, a clinical therapist who runs the Washington D.C. Training Institute for Couples Therapy, calls "the capacity to repair." This trait is crucial, of course, because there's not a strife-free relationship on the planet. "It's not so much having conflicts that's going to determine the quality of your relationship," says Simon, "but can you each take responsibility for what you did and then go back and share?" In other words, does this person have the ability to admit that what he or she said at the dinner party or in the board meeting was hurtful? Or, if you're the contrite party, does your apology reach open, forgiving ears? As Gottman says, "You need to be able to talk about a regrettable incident or a fight you've had, to figure out what went wrong and how to make it better, without getting back into it." People who fight to win are showing you that making a point, proving they're right or asserting their own ego is ultimately more important to them than the relationship.

As helpful as these questions are, the experts agree that when you have a gnawing feeling that someone's behavior isn't right, trust that information, subtle though it may be. Believe the person, yes, but above all, believe yourself.

miércoles, 12 de octubre de 2011

Santa Patrona del Régimen

Hay que ser muy lista y tener mucho talento para que, además de perder 25 kilos y mantenerlos durante mucho tiempo, se le ocurra a una escribir un libro sobre cómo hacerlo con buen humor, inteligencia y un título tan salao. ¿Como lo traducirías al español? Nuestra Señora de la Dieta, La Virgen del Régimen, María Auxiliadora de las Gordas, Virgen del Peso, A alguien se le ocurre algo más?
Libro de autoayuda divertido pero inútil si no abandonamos los helados y los macarrones, como en todo en la vida, no basta con sólo leerlo, ojalá fuera tan fácil.

domingo, 25 de septiembre de 2011

Solo por el título...


Go the Fuck to Sleep is a bedtime book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don't always send a toddler sailing blissfully off to dreamland. Profane, affectionate, and radically honest, California Book Award-winning author Adam Mansbach's verses perfectly capture the familiar--and unspoken--tribulations of putting your little angel down for the night. In the process, they open up a conversation about parenting, granting us permission to admit our frustrations, and laugh at their absurdity.
With illustrations by Ricardo Cortes, Go the Fuck to Sleep is beautiful, subversive, and pants-wettingly funny--a book for parents new, old, and expectant. You probably should not read it to your children.
"Total genius."

sábado, 17 de septiembre de 2011

Tweet

En cualquier periódico de la mañana de hoy hay mucha más información que en toda la literatura universal del siglo XIV. Tweet.

viernes, 2 de septiembre de 2011

The Great Stagnation de Tyler Cowen (con entrevista)

El LA Times ha descrito a Cowen como "el hombre que puede hablar de vudú haitiano, cine iraní, cocina hongkonesa, expresionismo abstacto, música barroca o arte popular mexicano con la misma aparente profundidad y facilidad". El centro del interés y las investigaciones de Cowen es la economía de la cultura. ha escrito libros sobre la fama (What Price Fame?), arte (In Praise of Commercial Culture), y comercio del arte (Creative Destruction: How Globalization is Changing the World's Cultures). Cowen elucubra sobre la capacidad que tiene el mercado, el mercado libre, esto es, para modificar las distintas culturas y mejorarlas para convertirlas más en un reflejo de lo que la gente realmente quiere. Otros libros: "Public Goods and Market Failures", "The Theory of Market Failure", "Explorations in the New Monetary Economics", "Risk and Business Cycles", "Economic Welfare" y "New Theories of Market Failure".

Solo con ver la entrevista se da uno cuenta de que este señor, por lo menos piensa. Tembién recomiendo visitar su página web e investigar sobre este nuevo hombre del renacimiento.
La idea básica del libro se resume muy bien en el subtítulo. Hemos estado viviendo de los frutos que teníamos más a mano, y una vez consumidos estos, nos damos cuenta de que no hay de dónde sacar más.
Interesante punto de vista.
Este Cowen anda ideológicamente en tierra de nadie, cosa que me parece muy recomendable: policies not politics. Es defensor de gobiernos potentes para los estándares americanos pero probablemente ni se acercará a lo que tenemos en Europa. A veces da un poco de miedo por la que tenemos encima, pero....

sábado, 27 de agosto de 2011

Sueño de una Noche de Verano de William Shakespeare

ROBÍN (PUCK)
Esta noche el rey aquí tiene fiesta;
procura que no se encuentre a la reina:
Oberón está cegado de ira,
porque ella ha robado a un rey de la India
un hermoso niño que será su paje;
jamás había robado niño semejante.
Oberón, celoso, quiere la criatura
para su cortejo, aquí, en la espesura.
Mas ella a su lindo amado retiene,
lo adorna de flores, lo hace su deleite.
Y ya no se ven en prado o floresta,
junto a clara fuente, bajo las estrellas,
sin armar tal riña que los elfos corren
y en copas de bellotas todos se esconden.

HADA
Si yo no confundo tu forma y aspecto,
tú eres el espíritu bribón y travieso
que llaman Robín. ¿No eres tú, quizá?
¿Tú no asustas a las mozas del lugar,
trasteas molinillos, la leche desnatas,
haces que no saquen manteca en las casas
o que la cerveza no levante espuma,
se pierda el viajero de noche, y te burlas?
A los que te llaman «el trasgo» y «buen duende»
te agrada ayudarles, y ahí tienen suerte.
¿No eres el que digo?

ROBÍN (PUCK)
Muy bien me conoces:
yo soy ese alegre andarín de la noche.
Divierto a Oberón, que ríe de gozo
si burlo a un caballo potente y brioso
relinchando a modo de joven potrilla.
Acecho en el vaso de vieja cuentista
en forma y aspecto de manzana asada;
asomo ante el labio y, por la papada,
cuando va a beber, vierto la cerveza.
Al contar sus cuentos, esta pobre vieja
a veces me toma por un taburete:
le esquivo el trasero, al suelo se viene,
grita «¡Qué culada!», y tose sin fin.
Toda la compaña se echa a reír,
crece el regocijo, estornudan, juran
que un día tan gracioso no han vivido nunca.
Pero aparta, hada: Oberón se acerca.
PUCK: The king doth keep his revels here to-night:
Take heed the queen come not within his sight;
For Oberon is passing fell and wrath,
Because that she as her attendant hath
A lovely boy, stolen from an Indian king;
She never had so sweet a changeling;
And jealous Oberon would have the child
Knight of his train, to trace the forests wild;
But she perforce withholds the loved boy,
Crowns him with flowers and makes him all her joy:
And now they never meet in grove or green,
By fountain clear, or spangled starlight sheen,
But, they do square, that all their elves for fear
Creep into acorn-cups and hide them there.

FAIRY: Either I mistake your shape and making quite,
Or else you are that shrewd and knavish sprite
Call’d Robin Goodfellow: are not you he
That frights the maidens of the villagery;
Skim milk, and sometimes labor in the quern
And bootless make the breathless housewife churn;
And sometime make the drink to bear no barm
Mislead night-wanderers, laughing at their harm?
Those that Hobgoblin call you and sweet Puck,
You do their work, and they shall have good luck:
Are not you he?

PUCK: Thou speak’st aright;
I am that merry wanderer of the night.
I jest to Oberon and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And sometime lurk I in a gossip’s bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob
And on her wither’d dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And ‘tailor’ cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth and neeze and swear
A merrier hour was never wasted there.
But, room, fairy! here comes Oberon.